{"id":521,"date":"2005-08-02T08:51:04","date_gmt":"2005-08-02T15:51:04","guid":{"rendered":"http:\/\/redmonk.com\/sogrady\/wp\/?p=521"},"modified":"2005-08-02T08:51:04","modified_gmt":"2005-08-02T15:51:04","slug":"is-it-my-music-or-not","status":"publish","type":"post","link":"https:\/\/redmonk.com\/sogrady\/2005\/08\/02\/is-it-my-music-or-not\/","title":{"rendered":"Is it My Music? Or Not?"},"content":{"rendered":"<p>Though I haven&#8217;t posted on it in a little while, there are few things that get me more worked up than digital rights management. I wrote <a href=\"http:\/\/www.theregister.co.uk\/2003\/06\/27\/the_riaa_plays_whacka_mole\/\">this piece<\/a> that got picked up by el Reg a few years back, but since then I&#8217;ve been relatively quiet on the subject simply because I&#8217;ve more or less said what I had to say, and because Cory <a href=\"http:\/\/craphound.com\/msftdrm.txt\">said<\/a> everything that I think needs to be said. The evidence that the RIAA (the very same wholesome, honest folks that colluded me and my fellow consumers <a href=\"http:\/\/www.ftc.gov\/opa\/2000\/05\/cdpres.htm\">out of $480M<\/a>) is protecting themselves from a threat that doesn&#8217;t exist continues to grow, as DeWitt notes <a href=\"http:\/\/www.unto.net\/unto\/breakdown\/filesharing-helps-record-sales\/\">here<\/a>.<\/p>\n<p>But last night DRM kicked me in the face yet again. While I was at a friend&#8217;s house for some routine PC maintenance, I was asked to explain how to import purchased CD&#8217;s into iTunes so they could be copied onto an iPod Shuffle. First up was a homemade-looking CD from a band called &#8220;The Frays,&#8221; and the CD included the curious (from an RIAA perspective) label on it &#8211; &#8220;PLEASE BURN FOR YOUR FRIENDS.&#8221; Weird, hunh? Why on earth would a band want more people to listen to their music? No problem with that one. The second CD to import was the latest Foo Fighters double disc. Unfortunately, the CD was &#8211; you guessed it &#8211; DRM&#8217;d, asking me to install some sort of copy protection scheme, &#8220;for my benefit,&#8221; of course. Remembering an old workaround, I ejected and reinserted the disc holding down shift key and sure enough the copy protection didn&#8217;t load. Unfortunately, the resulting import into iTunes included a not-so-tuneful assortment of skips, pops and chirps indicating that the technical wizards at the RIAA had adapted to this latest strategy (after they&#8217;d gotten around the &#8220;Sharpie&#8221; vulnerability). It was the same deal with the new Killers disc. <\/p>\n<p>So my question is this: if I purchase a CD, is the RIAA&#8217;s stance now that I can&#8217;t listen to it in the media player of my choice on a PC &#8211; not to mention a portable music player? And if so, do they think the average consumer realizes that? Because I don&#8217;t &#8211; and it sure came as an unpleasant surprise to my friend. While there is an FBI warning label on the disc discussing the &#8220;UNAUTHORIZED DUPLICATION&#8221; of the disc, do they believe an average consumer knows importing a disc into iTunes constitutes unauthorized duplication? And what of the bands? Do they think this doesn&#8217;t <a href=\"http:\/\/www.redmonk.com\/sogrady\/archives\/000500.html\">reflect on them<\/a>?<\/p>\n<p>The real question here is a simple one: if I buy a CD, is it my music? Or not? Because if it&#8217;s not, and I can&#8217;t do certain things with a CD I&#8217;m buying, I think that&#8217;s something the RIAA should be required to label clearly on every CD they sell.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Though I haven&#8217;t posted on it in a little while, there are few things that get me more worked up than digital rights management. I wrote this piece that got picked up by el Reg a few years back, but since then I&#8217;ve been relatively quiet on the subject simply because I&#8217;ve more or less<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[29],"tags":[],"class_list":["post-521","post","type-post","status-publish","format-standard","hentry","category-digital-rights-management"],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/posts\/521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/comments?post=521"}],"version-history":[{"count":0,"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/posts\/521\/revisions"}],"wp:attachment":[{"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/media?parent=521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/categories?post=521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redmonk.com\/sogrady\/wp-json\/wp\/v2\/tags?post=521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}